Film photography, Digital print, hand-binding
Edition of 20
Whilst in Molde, Norway, I thought of my brother and how he would have loved to be here and see the things I see. Remembering him, I took these photos and made a book for him as a memorial tribute.
Letterpress, risograph printing
London Centre for Book Arts Residency
A new version of the previous digital version of gate of heaven completed during London Centre for Book Arts Residency
Carved letters found at the doors and the walls of St. Paul's Cathedral were photographed and then reinterpreted into poetic typography. (Editions of 10)
Clay imprints of unseen markings found onsite were rearranged with discarded scrap woods in the museum cabinets to revalue the remnants of human activities. They were marked again on the illustrated map during the research and the making.
Frottage, sketching, tracing on paper
2000 x 800 mm (when unfolded)
In the process of documenting and researching for my project re dis covering, I started to practice by recording the most familiar space; my studio at the college.
On a big piece of paper folded in the structure of the room were recreated the markings I found on the wall. Rubbing and tracing to make the image of the existence, I could experiment the different aspects of visual characteristics.
Frottage, sketching and tracing on paper
1000 x 2800 mm
The door when it was locked up the space was dead, but it got open to a new beginning. For a new gallery space call Raum Gallery, I exhibited Die tür to remember the history of the door being an old student union room. I traced abandoned markings to recollect the memories and history. The door held indentations, residue of tapes and posters and other small details that represent the characteristics of the space.
On a long sheet of paper were markings of footsteps and the marking on the door. For two days I worked all day onsite and I was able to interact with audience passing and witness the process of making.
